Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, bandleader, and educator. For five decades, he has been one of. The Ahmad Jamal Collection sheet music - Bass, Drums, Piano sheet music by Ahmad Jamal: Hal Leonard. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus.
Piano and Keyboard Piano - SMP Level 8 (Early Advanced) Composed by Leon Berry, Margarita Lecuona, Miles Davis, Don Raye, Pat Johnston, Herbie Hancock, Jerome Kern, Bud Powell, Chick Corea, George Gershwin (1898-1937), and Hoagy Carmichael. Edited by Ronny Schiff. Arranged by Thomas 'Fats' Waller, Erroll Garner, Bill Evans, Art Tatum, Ahmad Jamal, Dave Brubeck, and Oscar Peterson. The best way to view the wide range of styles presented in this collection is to follow the evolution of jazz piano from the early 1900s to now. Scott Joplin is considered the first major jazz composer.
In the late 1890's he adapted the left-hand piano te. With Standard notation. Carl Fischer #ATJ305. Published by Carl Fischer (CF.ATJ305).Includes 'Taboo Arranged by Ahmad Jamal-Performed by Margarita Lecuona' in the song list. Piano and Keyboard Piano - SMP Level 8 (Early Advanced) Composed by Leon Berry, Margarita Lecuona, Miles Davis, Don Raye, Pat Johnston, Herbie Hancock, Jerome Kern, Bud Powell, Chick Corea, George Gershwin (1898-1937), and Hoagy Carmichael. Edited by Ronny Schiff.
Arranged by Thomas 'Fats' Waller, Erroll Garner, Bill Evans, Art Tatum, Ahmad Jamal, Dave Brubeck, and Oscar Peterson. The best way to view the wide range of styles presented in this collection is to follow the evolution of jazz piano from the early 1900s to now. Scott Joplin is considered the first major jazz composer.
In the late 1890's he adapted the left-hand piano te. With Standard notation.
Carl Fischer #ATJ305. Published by Carl Fischer (CF.ATJ305).
Jazz Studio Orchestra (Solo Trumpet or Flugelhorn; Woodwind 1: Alto Saxophone; Woodwind 2: C Flute/Piccolo; Woodwind 3: Oboe; Woodwind 4: Bass Clarinet; 5 Trumpets; 2 Horns in F; 3 Trombones; Bass Trombone; Tuba; Bass; Drums) - Difficult Recorded by the Miles Davis/Gil Evans Orchestra. Edited by Dylan Canterbury, Rob DuBoff, and Jeffrey Sultanof. Arranged by Gil Evans. Range: Trumpet 1: E6 (Optional D7); Trumpets 2 & 3: D6; Trombone 1: C5. Published by Jazz Lines Publications (JL.JLP-7352S).
Jazz Studio Orchestra (Solo Trumpet or Flugelhorn; Woodwind 1: Alto Saxophone; Woodwind 2: C Flute/Piccolo; Woodwind 3: Oboe; Woodwind 4: Bass Clarinet; 5 Trumpets; 2 Horns in F; 3 Trombones; Bass Trombone; Tuba; Bass; Drums) - Difficult Recorded by the Miles Davis/Gil Evans Orchestra. Edited by Dylan Canterbury, Rob DuBoff, and Jeffrey Sultanof.
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Arranged by Gil Evans. Range: Trumpet 1: E6 (Optional D7); Trumpets 2 & 3: D6; Trombone 1: C5. Published by Jazz Lines Publications (JL.JLP-7352S). Jazz Studio Orchestra (Solo Trumpet or Flugelhorn; Woodwind 1: Alto Saxophone; Woodwind 2: C Flute/Piccolo; Woodwind 3: Oboe; Woodwind 4: Bass Clarinet; 5 Trumpets; 2 Horns in F; 3 Trombones; Bass Trombone; Tuba; Bass; Drums) - Difficult Recorded by the Miles Davis/Gil Evans Orchestra. Edited by Dylan Canterbury, Rob DuBoff, and Jeffrey Sultanof. Arranged by Gil Evans. Range: Trumpet 1: E6 (Optional D7); Trumpets 2 & 3: D6; Trombone 1: C5.
Full score and parts. Published by Jazz Lines Publications (JL.JLP-7352). Jazz Studio Orchestra (Solo Trumpet or Flugelhorn; Woodwind 1: Alto Saxophone; Woodwind 2: C Flute/Piccolo; Woodwind 3: Oboe; Woodwind 4: Bass Clarinet; 5 Trumpets; 2 Horns in F; 3 Trombones; Bass Trombone; Tuba; Bass; Drums) - Difficult Recorded by the Miles Davis/Gil Evans Orchestra.
Edited by Dylan Canterbury, Rob DuBoff, and Jeffrey Sultanof. Arranged by Gil Evans.
Range: Trumpet 1: E6 (Optional D7); Trumpets 2 & 3: D6; Trombone 1: C5. Full score and parts. Published by Jazz Lines Publications (JL.JLP-7352).
One reviewer called this song a “mesmerizing voyage”, and I have to agree. And it’s not mesmerizing in the way that a lot of jazz piano is; that is, Jamal isn’t trying to play as many notes as he possibly can. I first heard this song on a jazz radio station that seems to like playing a genre I like to call “wank jazz” – characterized by talented musicians who do triple shots of espresso before playing. On this recording, despite the song’s energy, Ahmad Jamal and his band sound instead like they’re all relaxing with some chai tea.What makes this a beautiful song:1. It’s difficult not to tap along to the rhythm that the drummer (Vernel Fournier) sets up at the beginning. Later on, as the song builds a bit of momentum, he brings in a ride that would make you want to dance if you weren’t already so relaxed.2. You can hear people in the audience chilling out in the background.
It was recorded live at a jazz club on a cold night in Chicago in 1958, and I like to imagine all the well-dressed jazz fans of varying degrees of hep-ness enjoying their drinks as the snow swirls outside.3. The seventh chords. Everytime the song starts to sound like it’s getting too serious, he throws in those laid-back 7ths, and you go right back to being mesmerized.Recommended listening activity:Having tea on the couch and tapping your finger against the side of the mug.